{
  "annotation_id": "c81d3323-b5f9-484e-a1ef-7db9c89a0f6b",
  "date_created": "2026-03-02T18:01:31.423000Z",
  "date_modified": "2026-03-02T18:01:31.423000Z",
  "file_hash": "875990737453cd991ffcac7e547268614c5c33fb2e28ee9c8edf8755e5d155ff",
  "private": false,
  "record": {
    "abstract": "The melodic consonance of a sequence of tones is explained using the overtone\nseries: the overtones form \"flow lines\" that link the tones melodically; the\nstrength of these flow lines determines the melodic consonance. This hypothesis\nadmits of psychoacoustical and neurophysiological interpretations that fit well\nwith the place theory of pitch perception. The hypothesis is used to create a\nmodel for how the auditory system judges melodic consonance, which is used to\nalgorithmically construct melodic sequences of tones.",
    "arxiv_id": "q-bio/0403031",
    "authors": [
      "Jared E. Anderson"
    ],
    "categories": [
      "q-bio.NC"
    ],
    "title": "The perception of melodic consonance: an acoustical and   neurophysiological explanation based on the overtone series",
    "url": "https://arxiv.org/abs/q-bio/0403031"
  },
  "schema_id": "dorsal/arxiv",
  "source": {
    "execution_id": "791fc464-0a4e-4763-8119-dd6e2251d248",
    "id": "arXiv Dataset IDs",
    "type": "Model",
    "variant": "snapshot-2026-03-01",
    "version": "0.1.0"
  },
  "user_id": 1000002
}